by her own movement is an installation of photographs, light modulators, and architectural interventions in the gallery by artist sonja thomsen, whose installations present wonder as a radical way to imagine post-patriarchal futures. thomsen’s current fixation with 18th-century mathematician Maria Agnesi’s curve mistranslated into the ‘Witch of Agnesi’ is the wellspring of her intervention. This mathematical form is both oculus and womb breeding the dynamic installation. The title of the exhibition borrows from Hélène Cixous’ 1975 essay Laugh of the Medusa where “woman must put herself into the text- as into the world and into history- by her own movement.”
